Wednesday, October 30, 2019

Community Needs Assessment Essay Example | Topics and Well Written Essays - 2000 words

Community Needs Assessment - Essay Example This literature review explores the meaning of community needs assessment and the different types of needs. It also highlights the data that is sought in CNA and the reasons behind seeking such information. The methods of data collection have been discussed, as well as the principles that underpin the steps involved in the process undertaking a CNA. Community needs assessment is an important strategy that aims at collecting data regarding a community’s requirements, views, and challenges as well as resources that can be applied to establish the actual needs of the community (Stevens et al. 2006). It is a way of identifying the strengths and assets available in the community that can facilitate satisfaction of the needs of all members of the society, whether young or old; working or jobless; able or disabled and any other aspects of diversity in the society. Acosta and Toro (2000) observe that community needs assessment concentrates on the community’s potential all citizens included, groups as well as organizations. It forms the basis for establishing and classifying services and justification as well as establishing a society that upholds and nurtures children and families. Stakeholders in the community such as NGOs, volunteers and any other parties affected by community affairs are involved in the process of comm unity needs assessment. The process enables planners to determine the manner in which a community is currently accomplishing its needs as well as its potential to provide capital and services in future (Alpi, 2005). There are various needs that the community needs assessment tries to establish. These include; the ability to meet the required standards of living. The employment rates within a particular community are an indicator of the people’s capacity to pay the cost of necessities in their day to day lives. Poverty is mainly a consequence of unemployment in the community. Employment is among the community needs

Monday, October 28, 2019

Do you Hear the People Sing - Les Miserables Essay Example for Free

Do you Hear the People Sing Les Miserables Essay Looking at the political situation in the historical novel Les Miserables, the song â€Å"Do you hear the people sing? † is apparently a political song with the objective to express their disagreement towards injustices and stiff culture during those times. The character apparently struggle for redemption and revolution, and are joined by an ensemble that includes student revolutionaries, prostitutes, low class workers and other groups that are consider inferior. The first one who sang is Enjolras, a charismatic leader of a French group of revolutionary students. In his part specially the lines â€Å"Do you hear the people sing?.. It is the music of a people/ Who will not be slaves again! †, one can really see his belief in democratic freedom and equality. In his lines, Enjolras as a leader, rouses the revolutionaries and declares that it is now time to strike. The lines of Combeferre on the other hand suggest something attainable and practicable on how to be free. He motivates the people to join and to be involved personally as his lines says â€Å"Will you join in our crusade? / Who will be strong and stand with me? †. His desire in his lines is to instill into all minds the broad principles on how to be free. His lines suggest wisdom- from knowledge from Enjolras to application of knowledge. Feuilly on the other hand emphasizes the significance of honour in fighting for the good cause of humanity, â€Å"Will you stand up and take your chance? / The blood of the martyrs/ Will water the meadows of France! †. Despite their different tones and personalities manifested in their own respective lines, they all have the common aim to finally free themselves and France to different injustices due to the stiff embedded culture. They have a revolutionary tone where every word is pronounce properly and slowly with emphasis.

Saturday, October 26, 2019

Meliville & Sophocles Discussion :: essays research papers

MELVILLE AND SOPHOCLES MELVILLE: â€Å"OPEDIPUS, YOU SEE, WAS MY MODEL.† SOPHOCLES: â€Å"THAT IS ABSURD. YOUR CHARACTER, THIS BILLY, HAS NONE OF THE TRAITS THAT MY TRAGIC CHARACTER POSSESSED.† MELLVILLE: â€Å"BILLY BUD MAY HAVE NOT BEEN ANY GREAT KING OR A MAN OF IMMENSE MONETARY WEALTH, BUT HE POSSESSED A DIFFERENT SORT OF GREATNESS. â€Å" SOPHOCLES: â€Å"YOU SPEAK OF A DIFFERENT SORT OF GREATNESS, AS IF IT THAT COULD POSSIBLE COMPARE TO THE LIFE OF MY OEDIPUS. HE ROSE TO THE HIGHEST POSITION A MAN CAN OBTAIN. HE WAS A KING, A RULER OF A POWERFUL LAND, NOT SOME COMMON SHIPBOARD SAILOR. YOUR BILLY BUDD HAD NOTHING.† MELLVILLE: â€Å"OEDIPUS WAS A GREAT KING AND A WONDERFUL RULER OF A POWERFUL LAND, JUST AS BILLY WAS A GREAT SAILOR AND WONDERFUL EXAMPLE OF AN IDEAL HUMAN BEING. HE ALSO ROSE TO A HIGH POSITION IN MY STORY. HE GAINED THE CONFIDENCE OF ALL HIS FELLOW SHIPMATES AND WAS REWARDED NOT ONLY WITH THEIR COMRADERIE BUT WITH A PROMOTION TO A HIGHER RANK.† SOPHOCLES: â€Å"YOU, MELVILLE, ARE TO TELL ME THAT BILLY BUDD IS AS TRAGIC A CHARACTER AS OEDIPUS REX? THAT HE AS WELL HAD A TRAGIC FLAW THAT DESTROYED HIM?† MELLVILLE: â€Å"JUST AS OEDIPUS LONGED TO ALWAYS SEEK OUT THE TRUTH, BILLY ALSO FOLLOWED ALONG THE SAME PATH. HE NOT ONLY SOUGHT OUT THE TRUTH, BUT HE BELIEVED THAT ALL HUMANS CONTAINED AN HONEST AND GOOD CORE. HE TRIED TO BRING THIS OUT IN THE MOST EVIL OF PEOPLE. BILLY BUDD LACKED THE ABILITY TO LIE, CHEAT, OR STEAL. HIS INTEREST WAS IN THE PROTECTION OF OTHERS WITHOUT CONCERN FOR HIS OWN WELFARE. THESE QUALITIES ARE TEST THROUGHOUT THE STORY AS NUMEROUS TEMPTATIONS ARE PLACED BEFORE HIM.† SOPHOCLES: â€Å"WITH THAT SAID, ONE MAY THINK THAT ANYONE CAN BE A TRAGIC CHARACTER. ANY PERSON POSSESSING DECENT MORALS AND IS BETRAYED DUE TO THEM IS A TRAGIC CHARACTER? YOU BELIEVE IT POSSIBLE THAT ANY MAN IS A TRAGIC CHARACTER?† MELLVILLE: â€Å"HOW MANY MEN WILL STAND BY THEIR BELIEFS KNOWING THAT THE PUNISHMENT WILL BE THEIR HEADS? THOSE WHO DO NOT BEND TO THE WIND OF OTHERS’ DOUBTS AND PROTESTS ARE THE ONES THAT POSSESS THE TRAGIC FLAW. ACCORDING TO PLATO IN POETICS A TRAGIC CHARACTER IS RESTRICTED TO WHO AND WHAT THEY ARE AND ONLY REACT AND ACT UPON SITUATIONS PRESENTED BEFORE THEM. BILLY BUDD ACTS CONSISTENTLY WITH WHO AND WHAT I CREATED HIM TO BE THROUGHOUT HIS STORY.

Thursday, October 24, 2019

Compare and Contrast “University” and “Warren Pryor” Essay

Why is education important to society? Would one be able to read without a successful teacher teaching one how to read? Education is a key that holds the ability to open many doors – doors which open into vast rooms of knowledge, love, experience, discovery, and dreams. Education is an essential to human living and a fulfilling life, but what happens when the path one takes is not the choice that one personally wants? In â€Å"University†, written by Leona Gom, and â€Å"Warren Pryor†, written by Alden Nowlan, the poems present both negative and positive effects of education on society. The good intentions of the parents result in an awkward distance between them and their children. In â€Å"Warren Pryor,† the parents â€Å"marveled how [Warren] [wears] a milk-white shirt on work days† as this not something a farmers working on the fields would wear. His privilege to wear clean shirts and jeans on Sunday makes them believe he is different socio-economically. To think for them to be close again would just be awkward. Similarly, in â€Å"University,† the parents claim to the children that† [they] are changed, too good for [the parents] now,† showing belief in that they do not fit in with their children anymore. Since the parents believe their kids are too good them, they do not think they should anymore. In both stories, close families of parents and children grow distant from each other because of a barrier of education and social status. It can already be seen that contrary to popular belief, education does not necessarily bring happiness. The protagonist in â€Å"Warren Pryor is described as â€Å"hard and serious† (12-13) because he feels â€Å"like a young bear trapped in a cage† unable to do what he desires. He felt as if he owed it to his parents to become what his parents want him to become. In â€Å"University,† the parents are unsatisfied as â€Å"something they wished for (has) gone wrong.† Originally, they thought education would only make the children happier as they would not need to endure the same hardships, but did not foresee that this also creates distance which leads to unhappiness. Secondly, the characters possess different views regarding the effects of education. In â€Å"University†, the protagonist believes that he has become more educated compared to his parents, while in â€Å"Warren Pryor†, the protagonist feels as if education has degraded him. Warren Pryor describes himself as a â€Å"young bear inside his teller’s cage†. His job as a bank teller restricts him from what he really wishes to do; he wants to assist his parents on the farm. In contrast, the protagonist of â€Å"University† feels that â€Å"the day [he] left, [he] began to believe it. [His] knowledge fits [his] hands like a manicure too expensive to soil with the fact of these farms†. The protagonist describes how farm life is now inferior to his educated mind. However, education also affects the parents of the protagonists. When the parents of Warren witnessed him in his new job, â€Å"they blushed with pride. They marveled†¦ He was saved from their thistle-strewn farm and its red dirt†. Warren’s parents were completely overwhelmed with joy at their son’s success in life, but were unaware of the fact that Warren was actually unsatisfied with his current lifestyle. The parents are not as concerned if Warren becomes distant from them due to the sacrifices that they have made to give Warren education. In contrast, the protagonist’s parents in â€Å"University† are aware that their child has grown distant from the family. Their child is now at the â€Å"corners of family gatherings†¦ You are different [the parents] say, you are changed, too good for us now†. The parents fear that education has rendered their child a stranger now. The characters have different views and effects on society, and create an awkward distance between the parents and their son. Society foreshadows the prosperity of a person’s job depending on the education received. The protagonists’ parents had high hopes for their child, and when that hope has been achieved. Only would the parents feel success in raising a son better than themselves, not knowing that their son has an opinion of otherwise. â€Å"University†, written by Leona Gom, and â€Å"Warren Pryor†, written by Alden Nowlan, both show the positive and negative effects of education in modern day situations.

Wednesday, October 23, 2019

Breathless Reaction Paper Essay

Katherine Paler- Rivera According to the many articles and film history that I read, this is the first feature film directed by Jean- Luc Godard who was considered the influencial director that started the French New Wave. And based on our lectures, what makes the French New Wave famous was the technique like jumpcuts, shooting on location, using handheld cameras, loose narrative form or improvised dialogue. Godard also uses the history of cinema art and music. He also includes pictures in posters of famous artists like Picasso and Renoir women. The music in the soundtrack also includes Mozart’s clarinet concerto and French pop radio. The entire story started when the character of Michel Poiccard which Jean Paul Belmondo portrays, has stolen a car. While he was driving he passed by two hitch hikers and decides to decline for the thought they were far too ugly for him. Then suddenly, he realized that the cops was behind him. He hid on the side of the street. Thinking he got away he feels relieved. But suddenly a cop found him. He was shocked and unconsciously because of his instinct killed the cop. It was not shown how he shot the cop, it was suggested because the next scene, the cop falls down in the bushes. Then he runs away in an open field. In Paris, he called up somebody on the phone but no one is answering. Then he bought a newspaper from a boy in a bicyle, browse it a bit then head to an apartment employee asking for that somebody. He just took the keys when the man was not looking. Next scene he was inside the room. He just had a quick time in the wash room to freshen up. He was looking for money in the drawer but he was disappointed. He took a newspaper, read a bit then rubs in in his shoes. Then a some girl opens the door and let him in. The room was full of posters of girls. He was asking for money. While the girl was changing, Michel easily took the money in her wallet. Then in the next scene he was on the streets looking for a girl. It was Patricia Franchini who was portrayed by Jean Seberg. She was studying journalism whom he had met in Nice a few weeks earlier. She was selling New York Herald Tribune. Michel was having a conversation with him about what had happen in their stay in Nice, his women and their plans. He asks for a copy of the newspaper but return it once he realized it had no horoscope. They were planning to see each other on the same same street when the day ends. When they parted, he saw a newspaper stand, bought a copy. Patricia rushed through him and gave him a quick smack on the cheek. Right then and there I observed that these two were an item. In the building where he got inside, he was looking for a guy friend named Tolmachov.. They talked about certain guys common to them. Then his friend handed him an envelope which he was not please. He was given a certain phone number that he called. Then he bid goodbye. Two gentlemen came inside the building, the bigger man I knew was an inspector. He was asking for Michel or a certain other name. At first Tomalchov denied he saw Michel but they were busted when a girl passed by and the detective asked her if he saw Tomalchov with a man 5 minutes ago. He was also reminded that accessory of a murder is a crime. I find Michel’s character rude, proud, dishonest and self centered. He likes to have everything easy without trying to work on it. Examples are the cars he stolen, the man he beat up in the comfort room so he can have money. I don’t think the respect Patricia. He â€Å"uses† people and loves to use the word â€Å"louse†. He almost always has a cigarette on her mouth which makes me annoyed. Some critic said he made it sexy but I don’t find it appealing. As usual he always has a newspaper but I don’t think he paid for it. He wore sunglassed even if its late in the afternoon which I find truly absurd. Patricia’s character gets into my nerve. I hate movies that shows women they are like a â€Å"thing to be used†. I don’t like if someone used bad words to a woman. Good for him that he told the police about Michel. The background music also bores me. They keep on using it again and again. Except for the classical music they played when they were inside Patricia’s room. There was also this scene when Patricia was interviewing a man alongside other journalist. When she asked â€Å"What’s your greatest ambiton? † The man replied, â€Å" To become immortal and then die. † Patricia took off her sunglasses, think deeply and face the camera as if connecting to the viewers. In the scene where he called the cops about Michel, she even talked to him hear to heart. She love him that’s why she gave him away which made him furious. According to Wikipedia, â€Å"Godard envisaged Breathless as a reportage (documentary), and asked the Cinematographer Raoul Coutard to shoot the entire film on a hand- held camera, with next to no lighting. In order to shoot under low light levels, Coutard had to use liford HPS film, which was not available as motion picture film stock at the time. He therefore took 18 metre lengths of HPS film sold for 35mm still cameras and spliced them together to 120 metre rolls. During development he pushed the negative one stop from 400 ASA to 800 ASA. The size of the sprocket holes for motion picture film and the Cameflex camera was the only camera that would work for the film used. † â€Å"The production was filmed on location in Paris during the months of August and September in 1959, using an Eclair Cameflex. Almost the whole film had to be dubbed in post- production because of the noisiness of the Cameflex camera and because the Cameflex was incapable of synchronized sound. † â€Å"Filming began in August 17, 1959. Godard met his crew at the Notre Dame cafe near the Hotel de Suede and shot for two hours until he ran out of ideas. Coutard has stated that the film was virtually improvised on the spot, with Godard writing lines of dialogue in an exercise book that no one else was allowed to look at. Godard would give the lines to Belmondo and Seberg while having a few brief rehearsals on scenes involved, then filming them. No permission was received to shoot the filmin its various locations (mainly the side streets and boulevards of Paris) either, adding the spontaneous feel that Godard was aiming for. However all locations were picked out before shooting began and Assistant Director Pierre Rissient has described the shoot very organized. Actor Richard Balducci has stated that shooting days ranged from 15 minutes to 12 hours, depending on how many ideas Godard had that day. Producer Georges de Beauregard wrote a letter to the entire crew complaining about the erratic shooting schedule. Coutard claims that on a day that Godard had called in sick de Beauregard bumped into the director at a cafe and the two got into a fist fight. † â€Å"Godard shot most of the film chronologically, with the exception of the first sequence which was shot towards the end of the shoot. Filming at the Hotel de Suede for the lengthy bedroom scene between Michel and Patricia included minimal crew and no lights. This location was difficult to secure, but Godard was determined to shoot there after having lives at the hotel after returning from South America in the early 1950’s. Instead of renting a dolly with complicated and time- consuming tracks to lay, Godard and Coutard rented a wheelchair for the film that Godard often pushed himself. For certain street scenes Coutard would hide in a postal cart with a hole in it for the lens and stamped packages piled on top of Coutard. Shooting lasted 23 days and ended on September 12, 1959. The final scene where Michel is shot in the street was filmed on the rue Campagne- Premiere in Paris. † It left me hanging where Michel was shoot and Patricai catched up with the detective. Their dialogue had me thinking what was the meaning of their conversation especially the word â€Å"louse†. In my research it means a plural of â€Å"lice†, a wingless usually flattened blood sucking insect parasitic on warm- blooded animals or a person who has a nasty or unethical character underserving of respect. Michel for me is the big â€Å"louse†! Frankly speaking I was not really into the film. The very first time I watched it, it was all in French with no subtitles. I tried myself to be interested with it but I just found myself bored. Good thing our teacher shared a copy with subtitle. Being a student I was diligent in all the dialougues and scenes. I was carefully observing the techniques that I’ve learn in French New Wave. I find it fascinating that during that time, Godard was a young director who was thinking outside the box. I love the confidence and the guts he puts into his film. He was even part of the film. So I tried to know him more. His most influential innovations was to design shots that seem astonishingly flat. He is the most widely imitated director of the entire post war era.